by Lauren Voyles
The People’s Key is the final album of Bright Eyes, released one year ago today. Before I review the album, I’d like to apologize to all of the hipsters that will be angry that all of the “mainstream” people will know about their music.
In rating this album, if I had to compare it to music in general, I would give it 4 stars out of 5. If I had to compare it to all of Bright Eyes’ music, I would give 3.5 stars. This album has shown me that not every band will end up sucking as time passes, like I previously thought. This album is definitely different from previous albums by Bright Eyes. As a prelude: Every Bright Eyes song has a meaning. Most Bright Eyes songs are about personal experiences and certain people Conor Oberst (The lead singer; he IS the band) knew. The People’s Key goes more for universal meanings rather than personal ones. I have noticed, though, that over time Conor’s songs have become less personal. In one of his first albums “A Collection of Songs Written and Recorded from 1995-1997” he would actually include the name of the person he was talking about. After that, he rarely included the name of the person, but he did give very personal details about the situations or people the song was about.
Getting to individual songs, I would have to say the best song is “Shell Games”. It is definitely in the style of most of the newer songs, and most of the lyrics in it are for universal meaning but it also adds a touch of personal feelings. “One for You, One for Me” is also a very good song. I did not care for “Approximate Sunlight.”
Should you buy this album? If you like almost all of the songs and you would save from purchasing the song in the album package, or if you don’t want to buy digital download you should purchase the album. I personally chose to download individual songs, but it’s up to you. I personally think that it is a good album overall. It’s not the perfect album to end the band on, but it wasn’t bad.